Art

September 22, 2007

Photo Hunt Saturday

This week's theme is: Paper. I took this photo in July of this year at the Portland Japanese Gardens (a big thanks to Molly for recommending the visit before I left). The photo is of a conceptual art project by Yoko Ono. One writes a wish on a slip of paper & then hangs it in the Wish Tree. Yoko says she remembers writing her wishes at the temple gardens in Japan and the trees there looking like they were filled with delicate white flowers. (Yes, I wrote a wish & hung it in the tree. Duh.)
Sept_22paper



















*Some of you have inquired about how to participate in Photo Hunt Saturday. Visit TNChick.com and she will tell you.

August 05, 2007

Photo Hunt...Sunday

Yes, I know it's Sunday. I actually cleaned house yesterday. I needed to do that more than post this.

Anyway, this week's theme is: Funky. I took this photo in San Diego in February of this year. All along the waterfront are sculptures by various artists; this one was my favorite because it was so colorful and, well, funky! I use this as my desktop photo quite often; I love it that much.

Aug_4funky

April 05, 2007

The Trading Game

I've been thinking the past few days about choices. I'm thinking about how everything in life is a trade-off of some flavor or another. I could spout an endless supply of examples, but I'll spare you the inner workings of my mind for now; I'll just touch on a few.

To start with, my art suddenly presents me with an interesting dilemma. Most everyone who knows me knows how I've been trying to add some environmental friendliness and social justice to my family's lifestyle. I've been very careful of what is made of petroleum & reducing our consumption of it. Then, suddenly, I found my muse (whose been on a yearlong furlough) out in my garden. As I followed her back inside to my studio (I always feel somewhat an imposter saying that), I took a good look around, and an idea struck me like lead. An artist's arsenal of tools & potions contains quite a lot of petroleum and/or chemical solvents. I have brushes with artificial (read: petroleum-based) bristles, foam brushes with plastic handles, acrylic paints, oil pastels, watercolors (with plasticizers), acrylic mediums, plastic palettes... and the list marches on. Does this mean I must sacrifice my art at the altar of petroleum reduction?

I've also been following the blog of No Impact Man, a guy (in NYC) who is trying to live for one year reducing his (and his wife & toddler's) consumption to zero net impact on the earth. He has lots of support and admiration (including mine), but he's taking a heaping helping of criticism to go along with it (including mine). He wants no impact that is directly linked to him, so why can his maid still use a car and a vacuum but he feels it necessary to shun the subway? There are a million questions just like those that can (and have or will) be asked of this project. It's interesting to me to see his justifications for certain choices.

It's all a trade-off, you see. Paper or plastic? Local or organic? Personal health or environmental good? Environmentally friendly or socially just? Do I give my business to a company that unnecessarily tests on animals but that harbors an environment of racial or sexual discrimination? Do I get my gas from an oil company that has paid money to people who have killed local dissenters in a startling and exceptionally suspicious chain of events, or do I go to one that has created more environmental disasters (and refused to answer for them) than I can count on both hands?

At the end of the day, every decision we make is a choice between it and at least one alternative, whether it's a conscious decision or not. I'm just hoping that by the time I reach the end of days, my scales will be tipped a little more toward the side of, "I made the world a better place even if I used petroleum products in my artwork."

April 03, 2007

My Muse

Hey, folks! Good news! My muse has taken a vacation for almost a year, but I think I found her out in my garden yesterday!

In all my free time, once upon a time, I was an artist. Not one that sold her work; I always thought that selling it would lead to a feeling of obligation to create, and I don't create for a deadline.

Some things I create: scrapbooks, altered books, jewelry (beaded & otherwise), collage & assemblage. I'm about to set forth altering a pair of shoes and do a garden-inspired piece (I found a fantastic rusty trowel at the Goodwill As-Is store today).

In other, greener, news, a guy that works at my regular nursery delivered 5 pallets to my house yesterday (for FREE) so I can make a compost bin! Yippee!

Happy Tuesday, all!

March 04, 2007

Corteo

If you could attend or observe your own funeral, would you? If I could have a funeral like the one I attended today, I certainly would.

The latest, greatest addition to the Cirque du Soleil masterpieces is Corteo(Italian for cortege, or "celebratory procession").  In it, a clown has died and gets to experience his own funeral (of sorts). It is a magical, visually thrilling story that draws you into another world for the entire time you're there.

For those of you who have never experienced Cirque, their productions eschew traditional (and controversial) animal acts in favor of a top-quality, highly artistic, and perfectly executed assemblage of human performances. They perform phenomenal interpretations of more traditional circus acts, like tightrope walking, trapeze, acrobatics, and contortionists; they add to it astonishing acts that have only recently been invented or perfected, with names like Cyr wheel, aerial cradle, and aerial straps. Add dramatic makeup and elaborate costuming, and it makes for a singularly thriling experience! Corteo is the fourth Cirque production we have seen, and not one has been a disappointment.

If I can have a funeral the likes of Corteo, I want a front row seat!

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  • All photographs are copyrighted (2007, 2008) and are the sole property of Lori Villarreal, unless otherwise noted.

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